Movie Triva People Removed

You can easily save a movie night by regaling your nearest and dearest with tales of amusing prop malfunctions that made movies better, feats of acting prowess that'd make your nose bleed, and strange behind-the-scenes working relationships that involve piss being thrown in people's faces. Yes, movie trivia is endlessly fascinating. 1) What is the longest movie ever made? THE STAND DANCES WITH WOLVES HAMLET THE CURE FOR INSOMNIA The Cure for Insomnia (1987) is the longest movie ever made at a total running time of 85 hours (5,220 min).

Among the major promotional items for this movie was a lengthy coming attractions trailer (filmed in several languages) of Sir taking the audience on a seemingly lighthearted tour of the house and motel. At the end, Hitchcock pulls open a shower curtain to reveal a close-up of a woman screaming. The actress is not, but wearing a wig similar to Miss Leigh's hairstyle. The logo 'Psycho' simultaneously comes onto the screen and cleverly covers Miss Miles' eyes so that the switch is not easily discernible. Sir strictly mandated, and even wrote into theater managers' contracts, that no one arriving after the start of each showing of this movie would be admitted into the theater until the beginning of the next showing. Advertising artwork deceived audiences into thinking that was its star, and patrons arriving after her murder would wonder where she was. Newspaper advertisements cleverly piqued audience curiosity with such statements as 'You MUST see 'Psycho' from the very beginning.

No one, not even the President of the United States, not the theater manager's brother, not even the Queen of England (God bless her), will be allowed into the theater after the beginning of each showing of 'Psycho'. This is to allow you to enjoy 'Psycho' more. By the way, after you see the film, please do not give away the ending. It's the only one we have.' News cameras photographed audience members waiting in lines outside theaters to see this movie, creating tremendous curiosity about the movie, and adding extra publicity. Sir Alfred Hitchcock hated the infamous psychiatrist explanation scene done by Dr. Fred Richman (Simon Oakland) at the end of the movie.

He felt the scene was boring, and the movie came to a grinding halt at that point. The scene has also been ripped to shreds by critics over the years as the worst scene in the movie, and one of Hitchcock's worst scenes ever. Hitchcock and viewers felt the scene was unnecessary, overly obvious, and too talky, slowing down the action and suspense of the rest of the movie.

But there was strong pressure from the studios and powers-that-be that funded and distributed the movie to relieve the pressure from earlier scenes, and also to explain the action to less insightful audience members who might be confused by the big reveal at the ending, so the scene was kept in. Related how the shots of Marion driving away after taking the money looked very ordinary. Sir thought of having the soundtrack convey anxious voices in her head to add to the action and tension.

Herrmann noted, however, that it still didn't work until he suggested bringing back the main title music. All in all, Hitchcock was delighted with Herrmann's very significant contribution to this movie, giving the composer an unusual amount of credit (for Hitchcock) and stating openly that 'Thirty-three percent of the effect of Psycho was due to the music.' This movie was first scheduled to air on U.S.

Network television in the fall of 1966. Just before it would have aired, however, Valerie Percy, the daughter of then U.S. Senate candidate Charles H.

Senator, R-Illinois: 1967 to 1985), was stabbed to death, apparently by an intruder, in a murder that, as of 2011, remains unsolved. It was deemed prudent, under the circumstances, to postpone the scheduled airing. Ultimately, this movie was not shown on U.S.

Network television until 1970, following a highly successful theatrical re-release in 1969. At that time, Universal Pictures released it on the syndication market, where it quickly became a popular staple on local late night horror movie showings.

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According to Alfred Hitchcock, 'Psycho' was originally intended to be a comedy. Speaking with the TV program Monitor in July 1964: 'I once made a movie, rather tongue-in-cheek, called 'Psycho.' The content was, I felt, rather amusing and it was a big joke.

I was horrified to find some people took it ­seriously. It was intended to make people scream and yell and so forth - but no more than screaming and yelling on a switchback railway. So you mustn't go too far because you want them to get off the railway giggling with pleasure.' Sir always preferred to film indoors on a soundstage, and only the distant shots of the Bates Mansion were shot outside on the backlot. To accomplish this, and allow for an exterior to interior dolly shot, a second, duplicate, mansion exterior consisting only of the front porch was constructed on the soundstage and the cut from exterior, backlot, set to interior soundstage can clearly be seen as Lila approaches, visible in the difference in the lighting when the camera cuts from her back to the porch and front door once she gets close. A false story has circulated that was hired to play detective Milton Arbogast and filmed a few of his scenes with the rest of the cast just a week before his death.

There is no truth to this rumor whatsoever. Reeves died on June 16, 1959, almost two months before Sir decided to make this movie, and exactly one year before the June 16, 1960 date when this movie had its world premiere in New York City. Work on the script began in October, 1959, four months after Reeves' death.

Filming began in November, 1959, five months after Reeves' death. At the time of Reeves' death, Hitchcock was on a world tour promoting (1959). (Source: 'The Dark Side of Genius: The Life of Alfred Hitchcock,' by Donald Spoto.) George Reeves did not live long enough to even know a movie of 'Psycho' was planned, much less appear in it. This movie is said to be heavily influenced by Henri-George Clouzot's Diabolique (1955). Diabolique (1955) was also a lurid, black-and-white crime story/film noir, with sharply drawn characters, a misogynistic overtone, and loads of suspense, focusing on a grisly murder scene in its middle, and a shock twist at the end.

But whereas this movie had a shocking shower murder scene, Diabolique (1955) had a shocking bathtub murder scene. This movie's shower scene is said to be a ripoff of Diabolique (1955)'s bathtub scene, or certainly influenced by it. 'Mother', or Norma Bates, is played by several actors and actresses in the movie, including Anthony Perkins. Several people contributed to her shrieking harpy hag voice, and there was a deliberate attempt to age her up, make her older, since Sir Alfred Hitchcock wanted this to be an apocryphal voice of Norman's own conscience and inner demons. Realistically, Norma Bates would be about fifty, since Norman in the movie is only about twenty-six, but you can hear from the voice of the actors and actresses playing her that she is supposed to be a sexagenarian, which is possible if she gave birth to Norman when she was in her mid to late thirties.

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Michael Powell directed the infamous movie Peeping Tom (1960), which has been called the 'British version of Psycho' by critics. This is ironic, because this movie was directed by an Englishman. But Peeping Tom (1960) concerns itself with English characters and takes place in Britain, whereas this movie takes place in the U.S. And concerns itself with Americans.

The only British character in this movie is Caroline. She plays Marion's co-worker at the beginning of the movie, and was played by Patricia Hitchcock, Sir Alfred's daughter. Although various characters both the book and movie describe an incestuous relationship between Norma and Norman Bates; when we see the characters interacting; (when Norman play acts them interacting), they don't seem sexual at all. And Norman, when he play acts his mother; doesn't seem to be attracted to his mother at all; in both book and movie the mother comes across as a vicious shrew. So we have to take it for granted, when Sam describes this incestuous relationship at the end of the book, and when the psychiatrist describes it at the end of the movie; we have to take for granted that there was something incestuous going on because we see no trace of that in either book or movie.

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It's almost just a random detail thrown in at the ending just to make Norman more monstrous, but it doesn't really ring true with the rest of the story. Norman's parlor features many stuffed birds, several of whom are associated with wisdom or intelligence, including an owl and a crow. Less noticed is a hoopoe, a striking striped bird native to Eurasia and Africa, that Norman rests his hand upon during the calm portion of his conversation with Marion. Hoopoes are common in Middle Eastern and African folklore, and are characterized as being wise, much like owls.

On the other hand, pheasants like the one behind him in the same scene are thought to be fairly stupid, suggesting the split nature of Norman's personality. This seems intentional, given the recurring bird motifs throughout the movie. People talk about Halloween being the daddy of all slashers, and Psycho being the Grandaddy. There's actually a much longer history of slashers in film, going almost all the way back to the the slient era! There's three eras of old school film slashers; the golden age, movies like Fritz Lang's M, and Myrna Loy's 13 Women; and And Then There Were None, which were the original slasher type movies. Then there would be Classic Age Slashers, films from the 1950s and 1960s, like Psycho (1960) and Diabolqiue (1955). Which would help create the protype for slashers as well.

And then there would be modern slashers, which would start in the late 1960s in Italy with Dario Argento, Mario Bava and the Gallo movies; which would push the envelope for gore in the modern era with movies like Bay of Blood and Last Twitch of the Death Nerve. THe next group of slashers, after Gallo in the 1960s; would Be the American Moden Slashers; starting with Texas Chainsaw Massacre and Black Christmas in 1974; both followed by the seminal classic slasher JOhn Carpenter's Halloween in 1970; and finally Sean Cunningham's Friday the 13th in 1980. The period after that would be the post modern slashers, starting with Scream in 1996.

Jamie Lee Curtis, Janet Lee's daughter, was born in 1958; right before Psycho started pre-production. Curtis would grow up to be cinema's top Screem Queen; in part because her mom was in this movie.

Irwin Yablans, John Carpenter and Debra Hill, who all did the casting for Halloween; admitted they chose Jamie Lee in part because of the stunt casting aspect of her being Janet Lee's daughter; and this would then tie Halloween together with Psycho in the public's mind. Jamie Lee Curtis would go on to star in The Fog, Prom NIght, Halloween 2, and Terror Train; more horror movies (of different franchises) than any other actress in Hollywood. And again; alot of this was because her mother starred in Psycho. The shower scene has over ninety splices in it, and did not involve at all. Contrary to popular belief, it wasn't due to a scheduling conflict Perkins had for the Broadway musical 'Greenwillow', but actually a deliberate decision on Sir 's part.

On this subject, Perkins states 'Hitchcock was very worried that the dual role and nature of Norman Bates would be exposed if I were to appear in that scene. I think it was the recognizability of my silhouette, which is rather slim and broad in the shoulder. That worried him.' Despite the fact that the entire movie is in black-and-white, several viewers vividly (and specifically) recall the 'red' blood as it swirled down the shower drain. Obviously, this could not be true, not just for the fact of the black-and-white film, but the blood was actually Bosco chocolate syrup.

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Although theatrical movies were produced in color at the time, newsreels were shown in black-and-white. Filming the movie in black-and-white might have made it seem less gory, but it also might have seemed more real to viewers at the time, who were used to seeing the news in black-and-white. Perhaps by coincidence, Dr. Richard Thorndyke is 'stabbed' by a rolled up newspaper in (1977). Was paid four hundred dollars as 's body double for some shots (according to some reports, she was only used for the scene of Marion's body being wrapped in the shower curtain). Although Leigh said for many years that there was never anyone actually naked in the shower, she admitted late in her life that Renfro did some shots nude.

She also mentioned in her autobiography that she was nude in some scenes as the flesh-colored moleskin was washed away from her breasts. 'What to do?To spoil the so-far successful shot and be modest? Or get it over with and be immodest. I opted for immodesty.' Sir was very uneasy about the morphing of Norman's face into Mother's at the end of the movie. He sent out three different versions of the movie during its initial release. The first version included the ending seen on all prints today, the second contained no morphing at all, and the third contained the trick at the end, yet also included it at an earlier point in the movie.

When Sam Loomis comes back to the Bates Motel to look for Arbogast, there is a zooming shot of Norman standing by the swamp, looking very sinister. The third version of the movie included the subtle morphing of Norman's face into Mother's at this moment. According to, the Hays Office censors requested changes to the shower scene. Some believed they had caught a brief glimpse of one of 's breasts. (Rebello confirms that 'there are definitely a couple of frames showing a bare breast and nipple.'

) Sir waited several days and sent the movie back unedited. This time, it passed the censors' inspection. For the 'couple of frames' in question, Marion's head is turned from the camera, so it's not clear whether the breast belongs to Leigh. Leigh maintained: 'It was me the whole time in that shower, except for the time when he's wrapping the body in the shower curtain.'

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But claims that Leigh's body double, was used for some of the shower scene shots as well. Martin Balsam plays the heroic and tragic private investigator Milton Arbogast in this movie, Norman Bates' second victim in the movie. Martin Balsam also played a serial killer on The Twilight Zone (1959) season four, episode thirteen, 'The New Exhibit'. He played a museum employee who takes home and is made to take care of wax figures of a variety of serial killers throughout history (Jack the Ripper). The character turns out to be a serial killer by the episode's end, and he talks to the other wax figures in the episode; much like Norman Bates does in this movie.

It’s time for the Movie Trivia Schmoedown, Free 4 All Special Edition! During this match, 35 Schmoedown competitors will face off in one of the biggest Schmoedown events to date. Each will have to answer questions at random from a variety of categories to test their ultimate movie knowledge. From competitors like John Rocha, Dan Murell, Mark Reilly, Brianne Chandler, Perri Nemiroff, Jeff Sneider and many more.While the Movie Trivia Schmoedown is known for it’s many rounds, categories, wheel and possible advantages to competitors, the Free 4 All tests competitors will categories completely at random. With each round, 5 competitors will take the stage at a time. The competitor with the lowest score is eliminated.

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Competitors can range from lasting one round while others may last for the majority of the Free 4 All. It all depends on their movie knowledge and skills.In this match, there are now draws or sudden death. The last person remaining in this event will be declared the winner. When he or she wins, they have the option for a title shot of their choosing. They can go straight for the title belt, team belts or even the InnerGeekdom belt.With this many competitors, this will make for the biggest Movie Trivia Schmoedown match ever.

Broken into two parts, watch as the many incredible competitors fight for the win in order to get them the title shot of their choosing.35 competitors enter and only one will be the winner.