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1. Lirik Lagu Jangkrik Gendong Dan Notasinya Lyrics
2. Lirik Lagu Jangkrik Gendong Dan Notasinya 3
3. Lirik Lagu Jangkrik Gendong Dan Notasinya Full

24 Appendix 3 APPENDCES 481 FRAGMENT OF A GAMELAN SCORE MADE BY M.Ng. LEBDAPRADONGGA AND M. JATSWARA, COMPRSNG THE 13AWA SEKAR CHONDRA WLASTA, THE BEGNNNG (ONE KENONGAN), TOGETHER WTH THE LAST 4 BARS OF THE GENDNGGENJUNG-GULNG (PELOG PATET 6); 36 bars (OVER t GONGAN) OF THE LADRANG SURUNG.pA YUNG (PELOG PATET 6) FOLLOWNG T (N THE SOLONESE VERSON), AND THE FNSH OF THE LATTER (2KENONGAN: THE SESEGAN-PART). 1) ) Peog-sca1e: 3) J J J, n'. 1.t, ' -, ', &44 -, fl.,:., ',f, 's. L, 'u q.r.;L. '7 ' '., Kenc;langan: B = beng.

R ( p' ao.4t Sin'-n Gendu barung Ketuk Kenc;lang gen'-ing r.' To ' Wf' k.o.' r' '-, lifo 4.: H. Old J - '- ' '- fa- a- r'- 'll'. '-7 -h r7 -it::, a. 1) This score, written down by Solonese musicians, was in 1923 sent in for a competition organized by the Java nstitute, and was awarded first prize. 248n The fragment reproduced here has been transposed from (quasi) C to (quasirj3l,; further.

A few minor writing mistakes and imperfections in the notation have been eliminated, and the order of sequence of the voices modified. ) The suling-, gendr panerus-, bonang panerus- and saron panerus-parts are to be played one octave higher; hence the figure 8 placed near the clef. ) This is also the scale of the melodies reproduced in Appendices Z and 39-4Z incl.

25 482 APPENDCES Appendix 3 (continued) Suliog Sindn Rebab Gender panerus Gendr barung Gambang kayu Bonaog panerus Bonaog barung Saron panerus Saron barung Demung Slentem Kempyang Keuk Kenong Kempul Gen:liDg Genjong-guling:- 1'1. 1 u ft8.u.ua!:! - w JS.-' J r, r.1') r r nr ! L., -='T' rt'!' 26 APPENDCES 483 Appendix 3 (continued) FNSHNG FARS OF THE GEN;NG GENJONG-GULNG. START OF THE LADRANGAN: SURUNG.pA YUNG SUo Si.

K4'mpyang Ketuk Kenong KempuJ Gong ago Ketip. 30 rr,- j «.

'TT' db,::.J r!j, r., 1 ' 1 t't't'1.r'tt' rrn n' id hnim i 1.1. L r,:m F., '/'TT., i!l!j.u.j '.llj U.i.J ' r t' n -' rr ' 'T' 'T' 'T'. ' j,-.!, 1.1 J v' 1 f, ';'. 1, - J 1 1'1 T b. Ls - 'T':::r.,.t, /'t r'1' a.,., ' Ti', J J.,:#. Rt', 1 11 J 1.

28 APPENDCES 485 Appendix 3 (continuetll» Suo Si. 8 v lij -4 t' lr' s. ' 1., 'rrn ml 11- r J '., n-n., LJ.Li!!U '8 J 1 J j' d l'l J SO.,f. 1'!J.:, r!j 'C'.J., lf F f fi r - '.lor F i';'T'j'.

1:J1.,J G.L.i UJ,j:l!lulj r r r r. '-if'.s; r:; 11 '&f, 1 't., ulp'-r u.u s S.b. Kempyang Keuk Kenang Kempul Gong ago Ketip. K.gen.: ) e ' f,j, ' 1:i,4.-j r,. 'J.tl 1) The part of the genc;ung commencing at bar seemingly continuing in the same tempo - has, in fact, a wi'ama twice as slow as the preceding part, and has, therefqre, been written here in double the time-values: before the repeat-bar each bar is equal to one wilet alit; after this two bars form such a wilet. N the Jogya kraton notation the second gongan, starting at bar 150, would appear to be of the same length as the first one; in the notation given here it appears exactly twice as long, in accordance with reality. 29 4186 APPENDCES Appendix 3 (continued) SUo Si.

R ' f lu R R fir 1% V -w. F f., rntlllj r r -' 1. F J h7, 1'rTl L.l.W. ' 'M r n to r 'T' '. J, ', ' ' y-'.;; u.,j v,).,., F F F 'T'T' TT'1 rrn rrn /'11'1'T'1 ft.

' ' n., ' ' 0-,-. W:j li.il.j.l.:.;:' Kempyang Ketuk Kenong KempuJ j! 1 1,l 'J i Gong ago - Ketip. 31 488 APPENDCES Appendix 3 (continued) Suo Si. Kempyang Ketuk Kenong Kempul Gong ago Os.- il E;,J l- ' t.- 1 121 ' m'lfh b:,n,t' - -r.

'T' r-r' w.;-j J J J 1.u1JJ J lull J.J H'.:!J.L.J ' d. L.ij ', i 1 ' 2.S. '.J u.o;.-'.!::'i',. J,., '., '. I i' '.r in1.lrm rt p:rt.

1' l.J L.l.J.J f. 1.,!to d Ketip. 32 APPENDCES 489 Appendix 3 (continued) SUo Si. N 8 -.,.- / nr. I ll.a.1.j v.- t' t r l.r J.1 ll h 1'1 'M' '.'

'.;J.J llj.i.t J.!' :.:' ' L.o ' '15.

To q, t r.l t. F.t J crrt sp $ F- r 'tfi'.,-rn )TTl. Llvt!jj 1; l'.i.l.j u.!j.zu WWJ.;:;!r!, r n. F Kempyang Ketuk Kenoog KempLlJ Gong ago Ketip. K.gend., J!J 1 1 f- t. T A' A 0. 34 Appendix 4 GENl;NG) AYAK-AYAKAN2): KENJ;ANGAN PATUT3): PATET NEM SLENDR04)., ljoeho'/u; /7'oe$ 10'14 /0'-';4.i ';'-' h's'h.h(jrr' Vi';:' S'.'

,-/cQ, ) L )' 0 0.!; ' 0' 0' 0 ) oj rr - F n ' 0 0 '0!-,!!t. OJ t,!t, 0' ) 0 11 L 0' 0' ') 0', lli, c!t. ',!;t, 0 0' 0 n' C n' oj 0 0' 0' ty o., ) Vide p z) Vide p J) Vide p ) Vide pp. 56, 73 and 76.,) Vide p. T) = The sign -L.

Serves to indicate the simultaneously playing of a kenong and a kempul. W) 7) = f you want to finish, pass on to J. ) = (final) ritardando.

Appendix 5 GENJ;NG GENONG: KENJ)ANGAN CHONDRA ): PATET SANGA 2) AH6HJa 1mn6& ' W baa. Rrrm!joll u,m,8./.,; Pan9.Jnt/a1l1f!/l9bw.

&- t r '.& ' f' n' fl' f- Er -C ', s lp ':;' 'l Cf p ) Cf. P ) = (this part, which has wirama) dados, repeat 8 times; then straight on. 314; troes = straight on, don't repeat. 35 492 APPENDCES Appendi'( 5 (Continued) TEKSH 1) GEN long f!l1'i.' .,qtr t/.- SittJo/ ram&tllrap 3.

Lllb.;'- '4.1 ' 0.1.,-W,i, 8 trh Rat lzbo'9z. 7jiri!fo-!f,-iU 'i: Hilin!-/,;li'J'.J.

Mintlj,/h ilinlmni'9ll11/ojl1jmmv.' '-j Lom4 /Nu v 1/ 19. 36 APPENDCES 493 Appendix 6 GENJ)NG GUNUNGSAR; KENJ)ANGAN KETAWANG KENJ)ANG 21); PATET MANYURA2) 8oebOftNti loml,; lr06s. Lue' otl;'9 1U10't. F' ' e f' :E 'r '. T Q COl ' f' l!f F F.' ' F li f' e- E' f'.

F,- rt ' ', (' f' (' A. C 1 '1 sot F e.,'., Vc '., '!f ' ' ' <: l!f!'="" ;'="" '!or,="" v="" v!or.="" '="" '="" 0:n="0" fij!q,="" 21="" r.="" 21="" v="" r="" c="" 'e.="" 1:="" '="" )="" vide="" p="" )="" '="" ),="" f="">

37 494 APPENDCES Appendix 7 GENJ)NG GOLONG; KENJ)ANGAN LADRANG KENJ)ANG 2;PATET GANGSAL ') 4w!JMlui 10m/Hi rtm:j Dado.t an ing ngont/(lp. ' /n, f', ,f' V. N n n L-O /0 0., f' ' ' l.r. C: ' flt L-l' ' p' J p f' f'. C: n lin Q.!: n ) Vide pp. 2) = (to be beaten in) wirama dados; see further below. ' Ramball /roping: n,uk lajjmg.o-'r.ego.;p' '.J t f' lie ' '!, 9 C:' 19 '.'

V lj'!l- '!f ', t ' 'e- VE' ' f' f' f' lit A 1.9 l' (' Y n. 0 0, -0, Lv 1.9 1, 1.9. 38 Appendix 8 GEN:NG NAWUNGBRON(G)TA; KEN?ANGAN SARAYUDAl); PATET NEM PELOG2) &.6oelul lomha 'roes. Dodos rtlm60h Ropin9:$ roes.

1.1 ' ' if Lr 7 w., C' e. L.- V v J' ro.f'.f: if f,' l',!).1 '0 '0 n f) ) n n.- f f' F- e,1 f ' l t if / if 1'0 if', r 'n 1.1., ), J ia V 1, 1/'.- v,- lac:: f f '0 lt. O ) Vide p ) and 95. Lr,) lr k' k.

40 APPENDCES 497 Appendix 9 (Continued) TEKSH SUDRA GAMBUH Punglrul nf!uwun lrou ntfulpuh f f'. 19 n P, ' (' # ' f' '., 1' t' '., C' ' A ' f' A ' ' = 'Af; r9' 10 n 1'1 ier.

N pawahiphn ramllah uzping: 4. Nsti lutjen!l Stltll1OM. (' f i A'., n P. F' c c e c ' 19 n.e'. A e C' C' f l' c n Q n E. I1 - 'r, ' A V41 498 APPENDCES Appendix 10 THE NOTATON-SYSTEM JAYADPURA-LNDA BANDARA N TS LATEST FORM 1) a S16ndro J r r i r i F ijaran.9 nllm lima t/d4d 9 eln 5, =J P610g d J J J J j J.

/la.gn9 nllm /imo ptllo9 4dt/d ' 1) Vid' p. 354.42 APPENDCES 499 Appendix 11 GENJ;NG KE.pATON BENT AR / PATET NEM SLENDRO / KETUK KALH KEREP /MNGGAHPUN: KETUK SEKAWAN 1) KENONG TGA z) GONG SEKAWAN. I 32 i3 i i i i 6 5N iii i3 i i 2: i 65N G o N N i din3. Iiiijiii.ii6g N SN2?6S21353.N3.-.?

6 ' A.O., N 3 N N G,N1 2 2 N ' SN G B.A.C., i W = wiwitan = bebuka (vide p.311). At A the merong begins.

Having got as far as B. A.)-the finish of the merong-one repeats it again from A. Then, after arriving at, one proceeds to the line which' begins with '6 (Solo: umpak-umpakan; Jogya: pangkat;largah-vide pp. 313 and 314). The munggah (Jogya: nlawah),commences at A. When coming to the end of this, one repeats this part once,too. With that, the genr;ling is finished.

Kedaton bentar (i.e. The split kraton), according to the Solonese conception is a genling lengakan; according to the Jogya view, a genling alit (vide p. T has 2 ketuk beats (0) per kenongan, which are played kerep, i.e. Close together (vide p.

297) in the merong, and 4 in the munggah. The balungan tones are twices as far apart in the umpak-umpakan and in the munggah as in the mrong. N Jogya this munggah would most probably be played with pancner and imbal demung (vide p. 168 et seq.); this is not usually done in Solo. The notation in question should be interpreted as under: alit '.' Te n.g a h 1 2 3, - agt; n gl, bo::s::s ' ' a Finally, N = lienong and G = gong.

Bo '0 '0 - a - a -::s ' ' a::s )::s ) G::s! ' bo '0:::1 ' =,Q bo 't):::: =,Q bo '0 ) = four. Z) = three; true, there are 4 kenong-beats per gongan.

But the fourth beat coincides with the gong-beat. 49 Appendix 18 KAWN GURSA (SEKAR AGENG) q lor, t f loa' i i' V i j tmrh =1 l. J J.:' G'O. )., to: j' r;:; r t i r t1 T, W +0 lit f 1 val m: ' j '.

V r 0 tf'j j' J. 0: iii r t 1 r i r r t tj tj r:; Appendix 19 KAWN DURMA (SEKAR MACHAPAT) (after phon.

260v, recorded in the Jayadipuran, Jogya) Scale: fir lot J r r r - tju.t. (lowered barang and lima). J J J J Pi,-,' ca:, 1 t' uri 1t1 f). J F J (Xl: t. F.a.l tal r r t;t; T' i r. 62 Appendix 36 d' r i' without lowering of any notes: (, Scale: waj t1l.,f.

With lowered ba.ang. Ca: rjatja and lima J): r 't r'f i SULUK LARAS BARANG MRNG WETAH (version A after the ogya kraton notation; version B after phon. 2651, recorded in the J ayadipuran, J ogya). Notation: Uttu- A tion: B A. 1» ' l 'i '-' ' 1: 0) e l' 1. B t e ' e 0 A B, t:- 7.: $.

R,;' l-' '«.i 't4c ' t:'.;. T':' ) = ketuk beat. 2) = gong beat.

S) n version B the lima is intoned unlowered at the start.63 520 Appendix 37 e APPENDCES SULUK LARAS BARANG MRNG JUGAG (afetr phon. M.A, recorded in the Jayadipuran, Jogya) o J - 9: i r r i r Appendix 38 SULUK LARAS BARANG MRNG CHEKAK (after phon. 265m, recorded 'n the Jayadipuran, Jogya) GPU r U f r.

V r it-,iff id. 2651V, ibid.) r &.::.,; l J.: r. 64 APPENDCES 521 Appendix 39 LAGON PELOG PATET LMA (GANGSAL) WETAH AND JUGAG 1) 2) o (after the Jogya kraton notation) (a:p'g V;; V;;;; if t J tiki!

T - -;,.:.-; i.;;:: '.,- G:' b; W 61 tj)' r '-t-j -e 0:, - -=:::::: ) For the structure of this pthog scale, which also forms the basis of the melodies reproduced in Appendices incl., we refer to the graphic representation given at the head of Appendix 3. 2) The lagon jugag starts at the double bar (beginning of the third phrase). 69 526 APPENDCES Appendix 44 SUBAKASTAWA (PATET SANGA) (sekar genqing lampah Kinanti) Scal(: GY J (after Kx HAJAR DtWANTARA) T barang gulu c;lac;la lima nem!

J J 11 n va', 'l.4.:=: «.J. A ':- fe) J.

Lirik Lagu Jangkrik Gendong Dan Notasinya Lyrics

11 i±.,-',; l. Is c or J J 1 J! N: '.: 1':::'.J; Q: h t wlr' 16:/'21- to. 1/11.; ' J J fs g: G. 1 lee j r -r- '-.70 APPENDCES 527 Appendix 45 LAGU BANGKONG DKONGKORONG KUJ ANG (pelog. Surupan melog) til i l singgul galimer panelu kenong barang -f':' caaz$; r B:Oi r! 73 530 APPENDCES Appendix 47 (Continued) +.

F (;1 En 111 Ei U Q ' r: iii r; 1i'1 m un m J3 J n la!' 11.fy tor p og 1l J!!!!l H j Jl j p: H'l J?l fj J!'

J) iz t Q;:;1' 1 d 1 1 jl!l ll Jl!J: t7! 1l ij J Jjll-!' 1f11;j e Li tjl ti ti L:i til. I 'iq 5 W!G j J!

J J 11 lj 1 J! J!J; Eii') l'. ij.s! Ub ij i' ell! 11 j!l!ll Cj+'74 APPENDCES 531 Appendix 48 LAGU SEKARMANAH (WALED) (Sumedang version) Scale: +hj. (41) sorog (singgul) bem mangu (panelu) kenong barang (saumdro madenda) J l k P, ' pa '=g 2.%.

1 J 2 J w Simplified rebab part (after KUSUMADNATA) r.; i i) ) As is invariably the case, the patjckat is in the salendro iawa, tonality, notwithstanding the fact that it serves as introduction to a lagu, which is in salendro madetjda. 75 532 APPENDCES Appendix 49 LAGU UDAN MAS 1) (Sumedang version). Comment cracker office 2019.

(Rakitan log; surupan rmlog; tonality,),oroi. After that.,',m'gls 2); patet barang (Jav. K±; tt 1, J L 2i (. R ) - Manangis: J; J (J) ot r ee' Simplified rebab part after (KUSUKADNATA),t!'

1.4 f.t.: c- en,tj. '.x 2' J 1 ij J. +i J rlapl, J t2!

Lirik Lagu Jangkrik Gendong Dan Notasinya 3

J. $i G J J f J. Tit:: if 11 4. 'jj 1) = golden rain. 2) n the last bar of the manangis part. The transition to the 'yorog tonality is anticipated by th appearance of the tone kenong (in this case.

An auxiliary. And in nyorog. Principal tone. Correction: in the lagu Udan mas.

Beginning of bar 2. The note g should be a. 85 542 APPENDCES Appendix 54 - UJ o,!).ja.v. h 3 g Hi NA.Me:, NAM,6.oz a'z J::l: U- j jl) OFTON OF TON.! )(:lt i -f- A).MRNG m 0 el e/l 0 a:.

e 0 e 120., UJ e; ealu.n6!:lorog 0., 0 e.' ., etl.111 em 0 i= 150 P HEM 8ARAN ell ell Q ='1 UM4 KEHOHb ell em 150!) PE1.ob LWUHC) ' -, Z Ci 150 /10 'LU., S QA;lA PAHELU 0.' Ei.u.n.u 8., e.aran6 earl:)(!, 0 0 (jj e Q. 11 NEM 8AQAH(; f).1 PANAN6O 0.U.11 0 e o.1 0., 0.n =1 6ULU GAUMER e elll eol '4 PEHUN66UL L. 0.u PAM1R.

UJ 150;:: a 150!).-J uj l=1 60LU 6AUMEQ ell ell.n e.n LMA KJ:H:)Nb eru PEL.06 UWUN ell 0.11 en 0 e e 0 ell ell 0 e., 0 S?A?A PAHELO 0 e e.,1 1.1 11 e e e if)1 en ell em 0 ell en.11 0 ell 0 en eu.n 0 e L 120 '4 PENUNOOLL fln66ul. E Z. PAM1RN(; ell 0 en ell 0 e e e 0 e e ell OO 0 e e 0 e e eln elll e 0 en ell:J 1.5:) ii NEM fwl.an6.1 (fll if)1.1 (fll en ell 0.' Ell 0 Ci;:: UMA. KENONC7 eu ell.11 0 e 0 e 0 0., 0., 0 0., em J) 150 PELOG LWON6 e e. 0 ell ell 0 e e e U ell ell 0. 0 e 111 i2 120 a MOA.

PANELU 0 e (fll.1.1 l-, e e e ell1 0 en ell ell J GULU 6AUMEQ el ell elll. 0 ell ell eo 0 e t3 0 e H PENUM66U. E e 0 e ell 0.11 J) - H 1-1 t::::!j 1-1 =l!: CLA. L=l z t Pl P!).

Hl i H = j U i j j Mil UJ ctw 'u;:; Z -z NUMeER::r - z PAT:T: Mr.lAN6 QOR06 PANAN(;lb OFAL.E.: ('.j t(') 11'1-0. 0, = '22 y Jr 0 0! ' LWU'G R N6C':ON!

Lirik Lagu Jangkrik Gendong Dan Notasinya Full

6RK MALANe 101'00 Z t:j -(') Cl (.),87 544 APPENDCES Appendix 55 Ut)VON OFlltE 45!)CLEb OFTlE PL06-'!)TEM (:;URUPAN MEL06) NlO AR-G PATET), -CL AND VNAUTE.r-:- R- TilE 1WAA-OACUPb DA' talinf:t)l NAME OF TONALTE NAMOF cj t»unda' GAMELAN (6AMELAN PTU') 1 n m i y TONALmro OAMLAH 601'16 tad, TliRMN0L06Y 6AN6A '. J& Dl PANAN6: -, y D U 12 i'iii'.

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