Jeff Mills (born June 18, 1963, in Detroit, Michigan) is an American DJ, record producer and composer Mills is a founder of Underground Resistance, a techno collective formed with 'Mad' Mike Banks in the late 1980s. While Mills left the group to explore his own ventures, the collective continues to be a mainstay of Detroit's music scene.

1. Jeff Mills Expanded Sleep Wakes The Power Song

Jeff Mills (born June 18, 1963, in, ) is an American,. Thanks to his technical abilities as a DJ, Mills became known as The Wizard in the early to mid 1980s. In the late 1980s Mills founded the collective with fellow producers and but left the group to pursue a career as a solo artist in the early 90s.Mills is the founder and owner of Axis Records, a record label he founded in 1992. The label is based in, and is responsible for the release of much of his solo work.Mills has received international recognition for his work both as a DJ and producer. Mills was also featured in Man From Tomorrow, a documentary about techno music that he produced along with French filmmaker Jacqueline Caux. He continued working in film, releasing Life to Death and Back, a film he shot in the Egyptian wing of the Museum where he also had a four-month residency.

In 2017 the French Minister of Culture awarded Mills the for his services to the arts. Jeff Mills performing in Detroit in 2007. Early career and radio DJA 1981 graduate of, Mills started his career in the early 1980s using the name 'The Wizard.' He performed DJ tricks like and during his sets, some of which were pre-recorded. He had a nightly show called The Wizard at and later at WJLB under the same name. He would highlight local techno artists, giving light to artists such as, and.In his early career, Mills managed numerous residencies in the Detroit area. He credits The Necto as the residency where he was able to experiment with new ideas in techno music.

Mills played The Necto where he began incorporating concepts such as different equipment setups, including positioning himself on the dance floor with the people. For his radio DJ spots, Mills had a music spending budget to use for his sets. Mills would also drive as far as Toronto or Chicago in order to purchase newly released music. Underground ResistanceMills is a founding member of, a techno collective that he started with former player. The group embraced revolutionary rhetoric and only appeared in public dressed in ski masks and black combat suits. Mills never 'officially' left the group, but did begin to pursue his own ventures outside of the collective.

Many of Underground Resistance's labelmate's early releases were the product of various experiments by Banks and Mills, both solo and in collaboration, before Mills left the collective in 1991 to achieve international success as a solo artist and DJ. The collective continues to be a mainstay of Detroit's music scene.

Main article:UR related the of early Detroit Techno to the complex social, political, and economic circumstances which followed on from -era inner-city economic recession, producing uncompromising music geared toward promoting awareness and facilitating political change. UR's songs created a sense of self-exploration, experimentation and the ability to change yourself and circumstances. Additionally, UR wanted to establish a means of identification beyond traditional lines of race and ethnicity. Another form of UR's rebellion concerns the rejection of the commercialization of techno. This is evident in the messages scratched in UR's records, lyrics and sounds expressing economic independence from major record labels. Solo work and independent labels.

The Club in Berlin where Mills was a resident prior to launching Axis Records.Mills left Underground Resistance in 1991 to pursue his own ventures. He relocated from Detroit, first to New York, then Berlin (as a resident at the club), and then Chicago.

There in 1992, with fellow Detroit native, he set up the record label Axis, and later, sub-labels, Tomorrow, and 6277, all aiming for a more sound than most of the techno being produced in those years.Mills released Blue Potential in 2006, a live album of him playing with the 70 piece Montpelier Philharmonic Orchestra in 2005. The album was a remix for classical interpretation, following musical acts such as. In 2013, he released Where Light Ends, an album inspired by the Japanese astronaut and his first trip to space.In 2018, Mills recorded E.P. Tomorrow Comes The Harvest with legendary afro-jazz drummer.Film, soundtracks, and documentaryMills performed a live set in January 2015 at the in San Francisco, California. The set was performed with four turntables to create a cinemix soundtrack for, the 1929 silent film from. The set was performed during a screening of the film at the center. Mills has previously completed work highlighting Lang's career, including composing, performing, and releasing a soundtrack to Lang's 1927 silent film, releasing the soundtrack in 2000.Mills became involved in film with the help of French filmmaker Jacqueline Caux.

He helped Caux produce the film Man From Tomorrow, a documentary about techno music that featured Mills. He continued in the film industry with the release of the independent film Life to Death and Back which he shot in the Egyptian wing of the Louvre Museum in France, the same museum where he had a four-month residency. In his DJ sets, Mills usually uses three decks, a drum-machine, and up to seventy records in one hour.

Jeff Mills Expanded Sleep Wakes The Power Song

Mills' Exhibitionist DVD, from 2004, features him mixing live on three decks and CD player in a studio. In 2011, Mills switched to using three or four CD decks for most of his club appearances, instead of the usual Technics turntables.He was mentioned by Detroit rapper in his song 'Groundhog Day', from his album. Eminem says: '.and discovered this DJ who was mixing, I say it to this day, if you ain't listened to The Wizzard, you ain't have a fu.ing clue what you was missing.'

Art exhibits. Studio albumsYear, Title (Label). 1992, Waveform Transmission Vol.1 (Tresor).

1994, Waveform Transmission Vol. 3 (Tresor). 1995, Mix Up Vol. ^ Cooper, Sean (1963-06-18). Retrieved 2012-09-28. ^ Demby, Eric (February 15, 2001). Retrieved May 11, 2015.

Fact Magazine. January 23, 2013. Retrieved May 11, 2015.

Retrieved June 28, 2015. ^ Turner, Zeke (January 16, 2015). The New York Times. Retrieved May 11, 2015., in (French edition), May 2nd, 2017. 88 Music Blog. Retrieved June 25, 2012.

Www.classmates.com. ^ Warren, Tamara (October 11, 2012). The Detroit Free Press. Retrieved May 11, 2015. Schaub, Christopher (October 2009). Inter America. Retrieved May 11, 2015.

Wasacz, Walter. Southeast Michigan Startup. Retrieved June 11, 2015.

(in French). November 14, 2014. Retrieved June 11, 2015. Kakaire, Christine. Archived from on July 4, 2015. Retrieved June 11, 2015. ^ Dene, Lewis.

Retrieved May 11, 2015. ^ Palmer, Tamara (December 15, 2014). NBC Bay Area. Retrieved May 11, 2015.

Baines, Josh (February 17, 2015). Retrieved June 11, 2015. Retrieved June 11, 2015. Retrieved June 11, 2015.

Matthew, Terry. Channel 5 Chicago.

Retrieved June 11, 2015. Ryce, Andrew (September 18, 2014).

Resident Advisor. Retrieved May 11, 2015. Duncan, Chris (July 7, 2010). Retrieved June 28, 2015. SPIN. Eminem. Retrieved June 28, 2015.

Retrieved June 28, 2015. Everyday Listening.

Retrieved June 28, 2015. Vernissage TV (in French). Retrieved July 3, 2015.

Retrieved June 28, 2015. Easeus data recovery wizard 9.0 serial. Retrieved June 11, 2015. Zlatopolsky, Ashley The Guardian. September 23, 2015.

^. Retrieved June 11, 2015.External links.

Jeff mills once again indulges his passion for classic sci-fi with this 2cd re-imagining of the score to harry kleiner s titular 66 flick. It follows his -cyborg 2087- recreation and imaginary soundtracks for -the power- and -the occurence- with a deep voyage of discovery. But unlike the aforementioned, the original film plot - about a team of scientists who re miniaturized and dispatched inside a human body to fix a blood clot - thematic scales are inversed and we re drawn to mills inner, as opposed to outer, space-scapes. The action unfolds across 22 tracks and 2 cds, from bleepin, womb-like viscera and hazardous noise bursts through archetypal rhythm arrangements and fluid programming reflecting the man/machine, organic/synthesized themes of the film and his own alien/human aesthetic. It s wonderful to witness mills maturing as a composer and refining his art to something beyond a soundtrack for dancefloor rituals, but without ever losing his original blueprint, and showing that the line between cinematic imagination and dancefloor functions can be a very fine one. Incl 20 tracks on usb stick.

Limited 400 units, numbered usb key inside a plexiglass object with a swarovski crystal, axis records is proud to present the 8th chapter of jeff mills sleeper wakes series. After the previous release of the exotic expedition to -the jungle planet-, his continuing science fiction story makes a significant turn to a parallel universe. Nearly 2 hour of new music (. for usb) explores what the cosmos might become.

Attention: b-stock with some little scratches on the surface. 2087 is inspired by the science fiction film -cyborg: 2087- (1966) by the writer arthur c. Pierce, directed by franklin adreon. Plot modification and soundtrack by jeff mills. It is the year 2087.

The world had become a place where thoughts were not only monitored and restricted, but also, muted or reconstructed to favor the current rulers of earth and its inhabitants. The once exceptional human was merely reduced to a byproduct in the multi-dimensional industry of planetary hypostatisification. A boundless depository of cosmic energy controlled by an unknown force that had become too powerful to even reveal itself. A small and resourceful group of young scientists, engineers and devoted supporters create and send back through time a cyborg.

A low technological invention consisting of human fibers and machine. Out of desperation and precise planning, he is sent back to the year 1966 to prevent earths leading mathematician from thinking about the numeric breakthrough that would eventually lead to the mass thought control and human manipulation of the future. The cyborg (garth) soon discovers he is not alone in his mission, giving grave suspicion to possible traitors or spy within the young group of his creators. Garth succeeds in finding and assassinating his target, but as the result, he alters the future and becomes the only remaining symbol of a time that never existed. A man out of time.